Author Archives: rovinato

Mr. Ha

Mr. Ha drowned in his show­er. Just an inch of water, but that’s all it takes, I guess. He died for a while and now he talks in a loud whis­per like he just got stran­gled. He can’t stop clear­ing his throat even when he’s just sit­ting behind his desk watch­ing us. He makes us write these things called do jons when we piss him off, so we’re basi­cal­ly always writ­ing. I was the first one to fig­ure out if I coughed he’d clear his throat like it was on fire. Sarai was wor­ried he’d kick me out, but as soon he start­ed to calm down, I’d cough again, and he nev­er said any­thing — prob­a­bly because he couldn’t remem­ber our names anymore.

And he’s a real Kore­an now. He whis­pers with an accent that he moved here from Seoul after his wife died, that he’s sor­ry for his bad Eng­lish, but he believes “Human­i­ties very much a uni­ver­sal lan­guage.” He says things like, “This is not time for talk­ing. This is time to write your dojeon”. I don’t think that means any­thing, unless he learned Kore­an when he was dead. Mr. Ha grew up here. There’s a pic­ture him in the gym run­ning track that says “Toby Ha, class of 86, gets last laugh, vic­to­ry, at CIF.” His wife is Ms. Sny­der. She teach­es Biol­o­gy and dri­ves him home after school.

We fin­ished Da Vin­ci and Michelan­ge­lo, and we were start­ing Kepler and Car­avag­gio, but now Mr. Ha wants us to for­get all of it. For­get the Great Vow­el Shift. For­get the Magna Car­ta. He say his­to­ry is a lad­der — we’re not sup­posed to mem­o­rize it, we’re sup­posed to step on it. I don’t know why the school doesn’t kill this shit­show, but they don’t. Maybe they just don’t want to deal.

Today he asked, “Is any­body here orig­i­nal?”. His voice sound­ed dif­fer­ent. We all raised our hands. Well, I didn’t. “A hun­dred per­cent orig­i­nal?” Sarai looked at me. She heard it too.
He stepped out from his desk and walked to my seat.

Why not orig­i­nal?” he said.

Noth­ing new under the sun,” I said.

I wasn’t used to him being so close. His arms were pale and slick, his eyes were wet — from being drowned ? Or is he still drown­ing ? “Very fun­ny. New dojeon,” he said, still look­ing down at me.

Write some­thing nobody has ever writ­ten before.”

Just him?” asked Sarai.

He turned to Sarai. “Every­body dojeon.”

He didn’t go back to his desk. That was a first. He walked up and down the rows while we wrote. When he was on the oth­er side of the room, I coughed, but noth­ing hap­pened. Grady and Eddie laughed, so I did it again, and this time he turned around and looked at me. He put his hand over his mouth and said some­thing. Yas­mine moved her chair at the same time so I couldn’t hear, but it sound­ed like “douchebag.”

When time was up, we put our do jons on his desk. Usu­al­ly he’d put them in his bag to mark up at home, or he’d grade them while we read. But, anoth­er first, he start­ed to read them out loud. And they sucked, so they made him super ragey. Flecks of spit popped from his lips like lit­tle fireworks.

Which is Sarai?” She raised her hand. He read : “The same time every night, I turn into a mon­ster. Hun­gry for soli­tude, while my par­ents argued over din­ner, I get up and run to my room where I can eat the dark until I’m full.”

He dropped his hands to his side and turned his head, slow, like a kai­ju ris­ing out of the sea. Yas­mine said it was sexy. Eddie said he nev­er thought about being alone like you could eat it. It didn’t mat­ter. We’d always be wrong.

’The same time every night?’ That not orig­i­nal,” Mr. Ha said. “What time ? Why vague ? It’s oat­meal on a baby’s lap. Time not impor­tant. Din­ner impor­tant. Hate par­ents impor­tant. ‘Hun­gry for soli­tude?’ I’m hun­gry for orig­i­nal­i­ty. Why you feed me oat­meal on a baby’s lap?” Sarai looked down at her lap. “You should say, ’I explode from my chair and stum­ble down the hall like some­one threw a har­poon into my chest and is reel­ing me into my room.”

She doesn’t hate the par­ents,” Sarai said.

He scanned her page again and then looked up at her. “Yes she does. Which is Gordon?”

I stood up, scrap­ing my chair on the floor. “I am, Sir”. Every­body laughed. Mr. Ha smiled too. That threw me off.

Pa rubbed his caldera with his big right hand and gave me smile to hide the hot lava about spew out of his face. By the time he hit me, his pyro­clas­tic hatred had cooled into pahoe­hoe fists that had no trou­ble leav­ing their mark.”

Holy shit,” said Grady. Shut the fuck up, Grady.

Sarai said, “Gor­don, that’s so…” Don’t say any­thing, please.

Bor­ing,” fin­ished Ha. “Every­body say anger is like a vol­cano. Big deal. We erupt in bed. We erupt with grief. We erupt with joy. Got it. Humans are big flesh vol­ca­noes. So what ? I don’t know this father, I just know the writer does­n’t know the father either.”

I want­ed to shove my pen in his ear and ham­mer it out the oth­er side. Motherfucker.

That’s not what I wrote,” I said.

Mr. Ha looked at my page. “You are Gordon?”

You know I am. That’s the old ver­sion. You told me to rewrite it.”

I can’t remem­ber.” Mr. Ha looked through his pages. Sarai was giv­ing me a look. Didn’t she know I was doing this for her ?

Are you seri­ous ? That was my only copy.” I sat back down with a loud cough. Mr. Ha cleared his throat.

”Okay. Tell me what you changed.”

How am I sup­posed to remem­ber that?”

You remem­ber.”

I stood up again. I remem­ber everything.

My father gave away his rage like a mon­key slings shit. I could see it com­ing, but I could nev­er get out of the way.”

Voices from Chernobyl: The Oral History of a Nuclear DisasterVoic­es from Cher­nobyl : The Oral His­to­ry of a Nuclear Dis­as­ter by Svet­lana Alexievich
My rat­ing : 5 of 5 stars

Svet­lana Alex­ievich won the Nobel Prize for this and her oth­er books, but don’t let that stop you from read­ing this breath­tak­ing col­lec­tion. It’s as if Chekov and Gogol and Dos­to­evsky had a three way, and their love child died in the bloom of her youth while song birds, drunk on vod­ka-infused berries nabbed from a bowl by her bed­side, sang dirges that meld­ed with her fit­ful, flut­ter­ing soul into an ether that filled the lungs of these men and women laid waste by Cher­nobyl. Every­body here is lost, for­got­ten, sac­ri­ficed, for­lorn, but they are so god­damned alive. When was the last time you had to stop read­ing a pas­sage for a minute because it was so great you didn’t want it to end ? That hap­pened over and over. The scope and depth of all it is over­whelm­ing, and since I fin­ished it tonight, I haven’t begun to put it in a crit­i­cal con­text. But I’m a lit­tle drunk on the melancholy.

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Dalva Dal­va by Jim Har­ri­son
My rat­ing : 5 of 5 stars

Admit­ted­ly I began the book with a lit­tle dread. I just fin­ished Wolf, Harrison’s first nov­el and one I’d first read in grad­u­ate school in 1988. I have car­ried a high opin­ion of Har­ri­son ever since, but now I had to won­der why ? What I liked about it at 26 left me cold at 53, so I was pre­pared for a sim­i­lar reac­tion to Dal­va, espe­cial­ly since Har­ri­son would be writ­ing in the first per­son as a woman, and I’d hap­pi­ly wash out early. 

But Dal­va is a mar­vel — both the book and the char­ac­ter. Dal­va is in her mid-40s and liv­ing in San­ta Mon­i­ca and work­ing as a social work­er when we meet her. But as the nov­el unfolds, we real­ize this bare­ly her at all : Part Sioux, Dal­va is the great-grand­daugh­ter of a famed mis­sion­ary and hor­ti­cul­tur­ist who was more of a con­vert to the Sioux than a con­vert­er. He took a young Sioux wife and man­aged to find him­self in the mid­dle of much of the ter­ri­ble destruc­tion of the Sioux and their way of life at the hands of the Unit­ed States mil­i­tary. He also had a great deal of land. As such, Dal­va is not only rich with his­to­ry, she’s plain rich ; when she returns to her fam­i­ly home in North­ern Nebras­ka to search for the son she had with her 16 year old Sioux boyfriend, she brings along Michael, an alco­holic pro­fes­sor and her some­time lover, who has been grant­ed the oppor­tu­ni­ty to read & pub­lish Great-Grand­fa­ther Northridge’s per­son­al letters. 

Har­ri­son lets Dal­va nar­rate the first and sec­ond third of the book, while Michael takes over in the mid­dle. Har­ri­son also includes long pas­sages from Northridge’s jour­nals, so what starts out as a dis­arm­ing­ly prim and undis­tin­guished sto­ry is actu­al­ly the oppo­site. Har­ri­son writes beau­ti­ful­ly as Dal­va as she nav­i­gates her life today and as she recalls the events of the past forty years that have formed her ; while Michael is a com­i­cal, annoy­ing aca­d­e­m­ic, Har­ri­son still invests him with a wry wit, pathos, and some sur­pris­ing insight about Dal­va and her fam­i­ly. Northridge’s let­ters are a mix­ture of 19th cen­tu­ry benev­o­lent naiveté and a more mod­ern sci­en­tif­ic dogged­ness. These three streams of voice and time become a fast and loud riv­er that is as much about the Sioux and their destruc­tion as it is about Dal­va and her sor­rows and solace.

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Tá Lá Fhéile Pádraig uafásach

When asked, I say I’m Venezue­lan, but my pale skin & freck­les, my blue eyes, and my tem­per tell a dif­fer­ent sto­ry. I’m a stum­bler, not a dancer. My rages are more singsong than oper­at­ic, my cru­el­ty more snub-nosed & self-hat­ing than the .50 cal­iber pee wee macho of a Hugo Chavez or a Tony Mon­tana. I’m real­ly Irish with a Span­ish name. Well, most­ly Irish. Or, more accu­rate­ly, I’m Irish enough ; I’m also Scot­tish and East­ern Euro­pean and Ashke­nazi, plus that soupçon of Iber­ian that comes with the sur­name. I’m so lit­tle of so much that I don’t care about any of it. No Venezue­lan pride. No secret Jew­ish squee. Too sub­ur­ban for my hill­bil­ly cred and too indif­fer­ent to claim any­thing Irish at all. (Unless indif­fer­ence is an Irish trait — I’ll nev­er know, though, because indif­fer­ence.) Plus I hate St. Patrick’s Day. I always have. When I was a kid, St. Patrick’s Day was about putting in the min­i­mal effort to avoid some dum­my pinch­ing you. That’s it. When I got old­er, I thought I’d dig the par­ty vibe, but I quick­ly learned St. Patrick’s Day com­bines in all the douchey drunk­en­ness of frat par­ties and spring break with dis­gust­ing food col­or­ing in the booze. And in the vomit.

So it’s days like today that I’m dear­ly hap­py I live in Los Ange­les, a city so bereft of Irish peo­ple that we aren’t even on the map of Irish com­mu­ni­ties in the Unit­ed States :Irishmap

This is okay with me. I know right now most of my friends in New York and Boston and Chica­go are either get­ting drunk on green beer, vom­it­ing green beer, dodg­ing peo­ple vom­it­ing green beer, watch­ing parades next peo­ple about to vom­it green beer, or some nasty com­bi­na­tion of these.

Usu­al­ly I get city envy on hol­i­days here. Los Ange­les shows its sleepy provin­cial roots. New Years Eve and Fourth of July are par­tic­u­lar­ly dire. Restau­rants close at 11. Bars close at 2. But today, I was hap­py I had no idea it was St. Patrick’s Day until I over­heard two of the girls work­ing at the vet :

Are you doing any­thing tonight?”

Tonight?”

St. Patrick’s Day, right ? Isn’t it?”

Oh, that’s right. Oh, wow. Now I got­ta stay home. All the bars are gonna be gross.”

Yes, yes they are.

How Low Can You Go ?

Limbo Craze

An hour or so after I delet­ed my Face­book account, I got an email explain­ing that in fact my account had only been deac­ti­vat­ed but it would “be per­ma­nent­ly delet­ed with­in 14 days.” Which means it wasn’t delet­ed at all. If I logged in dur­ing those four­teen days, the delete request would be can­celed. I’d have to can­cel all over again and wait anoth­er two weeks. I was in Limbo.

I knew I wouldn’t make it. I quit in the first place because I have no self-con­trol. I was com­pul­sive­ly check­ing FB fifty times a day. When I wasn’t on it, I was think­ing about it — which pho­to I’d post, or which inane arti­cle I’d share, not to men­tion all the out­rage I drummed up respond­ing to every­one else’s out­rage. I wouldn’t be able to stay away for four­teen days. And why four­teen days ? Why not twen­ty-one days ? Why not sev­en ? It wasn’t arbi­trary. Noth­ing on Face­book is arbitrary.

To Face­book, each of us is a gold nugget of data. No, that’s not right. A nugget of gold is use­ful only once, when you sell it. But a radioac­tive gold nugget is dif­fer­ent. Face­book has fig­ured out a way to enrich us like ura­ni­um so we siz­zle and radi­ate away our half-life into the ether day after day. A radioac­tive nugget is a life-long gold­mine, and no way is Face­book going to make it easy for that gold­mine to dis­ap­pear. I had been active on Face­book (a gross under­state­ment) for almost sev­en years. None of my likes and posts and shares and quizzes and com­ments were use­ful to any­body even a few hours after I made them, but to Face­book they were iso­topic ever­last­ing gold­en gob­stop­pers, which is why they’re saved in per­pe­tu­ity. I’m sure Facebook’s social engi­neers, or Fascisti­neers for short, burned through months of data, cash, and guinea pigs to fig­ure out that twen­ty-one days would make peo­ple think something’s fishy — noth­ing takes twen­ty-one days to delete ; sev­en days would be too fast for most peo­ple to have sec­ond thoughts and change their minds. Four­teen days must have been sci­en­tif­i­cal­ly deter­mined to be the sweet spot, and I didn’t stand a chance.

But it turns out I did. After a cou­ple days, the com­pul­sion fad­ed. After a few more days, I stopped think­ing about Face­book entire­ly. When some­one told me about some­thing they read on Face­book, I had a sort of men­tal gag reflex. I didn’t care and I didn’t want to hear about it. The four­teen days came and went four days ago, and I’m real­iz­ing it only this morning.

I miss my friends on Face­book. I met a lot of new peo­ple there from around the world who I’d nev­er get the chance to meet oth­er­wise, and I stayed in touch with fam­i­ly and old friends too. All that is gone, and that’s hard. I live a pret­ty qui­et life, and I don’t take friends light­ly. I used to say I might be alone but I’m not lone­ly, but I feel lone­ly now. I also think it’s okay to feel lone­ly. It’s okay to feel bad. Now maybe I’ll do some­thing about it — seek out friends close to home, get out of the house, etc.

But on the oth­er hand, I feel like I’ve gained at least two hours a day. It was unset­tling at first because I didn’t real­ize what was hap­pen­ing. It felt like the clocks were run­ning slow. But now I’m lov­ing the extra time in the day to work. Beyond that, my mind has start­ed to calm down. If the mind is like a car’s engine, my idle speed was way too high. I was burn­ing fuel and and wear­ing myself down for no rea­son, revving hot and fast all the time. It feels like my mind has set­tled into a calmer, qui­eter nat­ur­al state. These days I’m in the mid­dle of a very stress­ful and unhap­py divorce, and recent­ly I’ve fall­en out with a good friend I love ; yet even with all the anx­i­ety and exhaus­tion and sad­ness, I’ve been calmer and less scat­tered than I can remem­ber being in years.

But did Face­book real­ly delete my account ? I’ll nev­er know. If I check, there’s a very good chance I’ll be right back where I was 3 weeks ago. Lim­bo is the very edge of Hell where sin­ners must wait for the pos­si­bil­i­ty of sal­va­tion, but it’s also a super goofy dance.

Hi Fi

I remem­ber the Nation­al Lam­poon of my youth as cut­ting-edge, razor sharp social satire with some sophis­ti­cat­ed sex­u­al humor tossed in to keep the plebes hap­py. When I got the jokes and the arcane polit­i­cal ref­er­ences, I felt like I was part of a high-mind­ed fra­ter­ni­ty. Well, I start­ed look­ing through some of the Nation­al Lam­poon archive recent­ly, and it’s safe to say that the real­i­ty is a lit­tle dif­fer­ent than my mem­o­ry. While there was some fun­ny art­work and clever satire, most­ly I saw a shit ton of tit­ties. Plus a mil­lion stereo ads with more tit­ties. I can’t say the ads didn’t work. To this day, I love a good stereo.

threewaygreat-knobsempireforuspeakersnudewomanpq02u3alskjdflakjsdlf

T + 48

This is the sec­ond day since I delet­ed my Face­book account. I joined back in 2009, so that’s sev­en years of posts, com­ments, threads, friend­ships, “friend­ships”, and more gone for­ev­er. I don’t have to look back very far here to see that I’ve tried deac­ti­vat­ing my account in order to gain some sep­a­ra­tion from all the things whirling around in the world. I’ve tried it a few times. It didn’t work. I’m an idiot child. I’ll fol­low any dis­trac­tion through the trees and into the rape van it’s got parked behind the com­mu­ni­ty cen­ter. Not that Face­book is a rape van, but it is, kind of.

So I delet­ed it. It wasn’t hard. I like scorch­ing the earth behind me, leav­ing nowhere to go but ahead. A bunch of years back, some­one robbed my house and took my cold weath­er coats, my stereo, and my lap­top. I didn’t have any­thing backed up. Every­thing I’d writ­ten since grad school through the first three years of my career was gone. Sto­ries, let­ters, poet­ry. I wasn’t upset though. I felt lighter, freer And I felt an urgency to go out and make new things.

I’ve gained at least two hours per day over the last cou­ple days. It’s ridicu­lous but it’s true. I’m not all chum­my with my phone any­more either. I don’t check it when I wake up. I don’t don’t check it dur­ing the day. I hard­ly look at it at all. I know I’m miss­ing out on stuff. My friends from every­where are writ­ing smart, hilar­i­ous things and shar­ing art I’d want to see. I’m already out of the loop on all the lat­est out­rages and gaffes and rev­e­la­tions and lis­ti­cles and deaths and sta­tis­tics and out­rages, again. It real­ly is a loop, accel­er­at­ing, feed­ing back, blow­ing apart and then reform­ing, giv­ing me no time to sit in the after­noon breeze and won­der what’s hap­pen­ing with me.

Death or Glory

I’d rather be strung out & broke, shit­ting in the park, and for­got­ten by my chil­dren than write a book about why what I do is so great and then sub­ti­tle it “How to Think About Art, Plea­sure, Beau­ty, and Truth.” What a nob, A.O. Scott.

The colum­nist reads the crows
falling out of the the laurels
and adjusts his hat. The sto­ries come
when the dogs go slack in the wet grass
and the crows walk in the street.
There is talk of revolt,
the mad­ness at home can wait.
We wait until night to howl at the rats
behind his house where he waters
the grass, sil­ver and naked but for his hat.